Wednesday, May 29, 2019

Faulkners Light in August - Hightowers Epiphany Essay -- Light Augus

Light in August - Hightowers Epiphany Most criticism concerning Faulkners novel, Light in August, usually considers the character of Joe Christmas. Christmas certainly deserves the attention give to him, but too often this attention obscures other noteworthy elements of the complex novel. Often lost in the shuffle is another character, the high-minded Gail Hightower, who deserves greater scrutiny. A closer examination of Hightower reveals Faulkners deep concern for the conspiracy and the collective suffering of its people. Hightower, through his own personal epiphany, transcends the curse under which the South has suffered for so long. Of course, the commutation character of Joe Christmas has dominated criticism of the novel, primarily because he represents the problematic and touchy issue of racism. Those who wish to prove that Faulkner either was or was not a racialist often turn to Christmas--who is abandonded as a baby outside an orphanage and found on Christmas day (hence his name) called a nigger shite (LIA 135) by the dietician at the orphanage when he catches her with a young doctor and ever after suspects that he might possess some pitch blackness blood. All this prompts many another(prenominal) readers to see in Christmas a symbol of racial tensions and conflict. For instance, in his italicized amendments to the excerpt from the novel he used for The Portable Faulkner, Malcolm Cowley refers to the character as Joe Christmas, the mulatto (51). Unfortunately, such readings play facts not in evidence. Cowleys additions do more than provide a necessary context they resolve a question about which Faulkner was unimpeachably non-committal. He verbalise of Christmas background, or lack of one I think that was his tragedy--he ... ... Douglas Day. parvenue York Vintage, 1973. ------. Light in August. 1932. New York Vintage, 1987. ------. The Unvanquished. 1938. New York Vintage, 1959. Gwynn, Frederick L., and Joseph Blotner, eds. Faulkner in t he University. Charlottesville University of Virginia Press, 1995. King, Richard B. A gray Renaissance The cultural Awakening of the American South, 1930-1955. NewYork Oxford University Press, 1980. Longley, John L., Jr. Joe Christmas The Hero in the Modern World. Faulkner A Collection of Critical Essays. Ed. Robert Penn Warren. Englewood Cliffs Prentice-Hall, 1966 163-174. Runyan, Harry. A Faulkner Glossary. New York Citadel, 1964. Snead, James. Figures of Division. New York Methuen, 1986. Taylor, Walter. Faulkners Search for a South. Urbana University of Illinois Press, 1983. Faulkners Light in August - Hightowers Epiphany Essay -- Light AugusLight in August - Hightowers Epiphany Most criticism concerning Faulkners novel, Light in August, usually considers the character of Joe Christmas. Christmas certainly deserves the attention paid to him, but too often this attention obscures other noteworthy elements of the complex novel. Often lost in the shuffle is an other character, the Reverend Gail Hightower, who deserves greater scrutiny. A closer examination of Hightower reveals Faulkners deep concern for the South and the collective suffering of its people. Hightower, through his own personal epiphany, transcends the curse under which the South has suffered for so long. Of course, the central character of Joe Christmas has dominated criticism of the novel, primarily because he represents the problematic and touchy issue of racism. Those who wish to prove that Faulkner either was or was not a racist often turn to Christmas--who is abandonded as a baby outside an orphanage and found on Christmas day (hence his name) called a nigger bastard (LIA 135) by the dietitian at the orphanage when he catches her with a young doctor and ever after suspects that he might possess some Negro blood. All this prompts many readers to see in Christmas a symbol of racial tensions and conflict. For instance, in his italicized amendments to the excerpt from th e novel he used for The Portable Faulkner, Malcolm Cowley refers to the character as Joe Christmas, the mulatto (51). Unfortunately, such readings assume facts not in evidence. Cowleys additions do more than provide a necessary context they resolve a question about which Faulkner was definitely non-committal. He said of Christmas background, or lack of one I think that was his tragedy--he ... ... Douglas Day. New York Vintage, 1973. ------. Light in August. 1932. New York Vintage, 1987. ------. The Unvanquished. 1938. New York Vintage, 1959. Gwynn, Frederick L., and Joseph Blotner, eds. Faulkner in the University. Charlottesville University of Virginia Press, 1995. King, Richard B. A Southern Renaissance The Cultural Awakening of the American South, 1930-1955. NewYork Oxford University Press, 1980. Longley, John L., Jr. Joe Christmas The Hero in the Modern World. Faulkner A Collection of Critical Essays. Ed. Robert Penn Warren. Englewood Cliffs Prentice-Hall, 1966 163-174. Runya n, Harry. A Faulkner Glossary. New York Citadel, 1964. Snead, James. Figures of Division. New York Methuen, 1986. Taylor, Walter. Faulkners Search for a South. Urbana University of Illinois Press, 1983.

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